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Review: David Silkenat, <i>Scars on the Land: An Environmental History of Slavery in the American South</i>
Posted inIssue 14 2025 Reviews

Review: David Silkenat, Scars on the Land: An Environmental History of Slavery in the American South

Posted by Oran Patrick Kennedy
Review: Kelly Ross, <i> Slavery, Surveillance, and Genre in United States Literature </i>
Posted inIssue 13 2024 Reviews

Review: Kelly Ross, Slavery, Surveillance, and Genre in United States Literature

Posted by Andrew Taylor
“Writing the tide”: Decolonial resurgence and Native continuance in Kathy Jetn̄il-Kijiner’s Iep Jāltok: Poems from a Marshallese Daughter
Posted inArticles Issue 13 2024

“Writing the tide”: Decolonial resurgence and Native continuance in Kathy Jetn̄il-Kijiner’s Iep Jāltok: Poems from a Marshallese Daughter

Posted by Rosannah Gosser
Review: Jonathan A. Cook, <i>Neither Believer Nor Infidel: Skepticism and Faith in Melville’s Shorter Fiction and Poetry</i>
Posted inIssue 13 2024 Reviews

Review: Jonathan A. Cook, Neither Believer Nor Infidel: Skepticism and Faith in Melville’s Shorter Fiction and Poetry

Posted by Zach Hutchins
Review: Robin M. Morris, <i>Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right</i>
Posted inIssue 13 2024 Reviews

Review: Robin M. Morris, Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right

Posted by Sarah Curry
“A dismal throng of vague spectres”: Reading Knowledge and Identity in H.P. Lovecraft’s “The Shadow Over Innsmouth” Through Nathaniel Hawthorne’s “My Kinsman, Major Molineux”
Posted inArticles Issue 13 2024

“A dismal throng of vague spectres”: Reading Knowledge and Identity in H.P. Lovecraft’s “The Shadow Over Innsmouth” Through Nathaniel Hawthorne’s “My Kinsman, Major Molineux”

Posted by Janice Lynne Deitner
Issue 12 Editorial
Posted inEditorials Issue 12 2023

Issue 12 Editorial

Posted by Tim Groenland and Fionnghuala Sweeney
Review: Kate Fama and Jorie Lagerway, <i>Single Lives: Modern Women in Literature, Culture and Film</i>
Posted inIssue 13 2024 Reviews

Review: Kate Fama and Jorie Lagerway, Single Lives: Modern Women in Literature, Culture and Film

Posted by Dearbhaile Houston
Review: Mary Burke, <i>Race, Politics, and Irish America: A Gothic History</i>
Posted inIssue 13 2024 Reviews

Review: Mary Burke, Race, Politics, and Irish America: A Gothic History

Posted by Jack Heeney
“Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman
Posted inArticles Issue 12 2023

“Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman

Posted by C.T. Power
Review: John Lahr, <i>Arthur Miller: American Witness</i>
Posted inIssue 12 2023 Reviews

Review: John Lahr, Arthur Miller: American Witness

Posted by Ciarán Leinster
Review: Robert Collins, <i>Noraid and The Northern Ireland Troubles, 1970-1994</i>
Posted inIssue 12 2023 Reviews

Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

Posted by Melissa L. Baird
Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown
Posted inArticles Issue 12 2023

Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

Posted by Niamh Keating
Review: Brian Yothers, <i>Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author</i>
Posted inIssue 12 2023 Reviews

Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

Posted by Sebastian Tants-Boestad
Review: Charles L. Chavis Jr., <i>The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State</i>
Posted inIssue 12 2023 Reviews

Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

Posted by Guy Lancaster
Issue 11 Editorial
Posted inEditorials Issue 11 2022

Issue 11 Editorial

Posted by Tim Groenland and Fionnghuala Sweeney
“It was only the darkened house that could contain her”: Containing Forms in <i>The Scarlet Letter</i>
Posted inArticles Issue 12 2023

“It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

Posted by Georgia Walton
Review: Warren Eugene Milteer, Jr. <i>Beyond Slavery’s Shadow: Free People of Color in the South </i>
Posted inIssue 12 2023 Reviews

Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

Posted by Nik Ribianszky
“Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
Posted inArticles Issue 11 2022

“Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

Posted by Eva Isherwood-Wallace
Cold Reality: Revisions of War in John Knowles’ “Phineas” and <i>A Separate Peace</i>
Posted inArticles Issue 11 2022

Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

Posted by Natalie Schriefer
Review: Baumgartner, <i>South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War</i>
Posted inIssue 11 2022 Reviews

Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

Posted by Laura Gillespie
Review: Katherine Manthorne, <i>Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.</i>
Posted inIssue 11 2022 Reviews Uncategorized

Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

Posted by Henry Martin
The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement
Posted inArticles Issue 11 2022

The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

Posted by Richard Hargy
“a settled place”: Reproductive Performance in the Liberties and The Liberties
Posted inArticles Issue 11 2022

“a settled place”: Reproductive Performance in the Liberties and The Liberties

Posted by Lily Ní Dhomhnaill
Issue 10 Editorial
Posted inEditorials Issue 10 2020-21

Issue 10 Editorial

Posted by Tim Groenland and Fionnghuala Sweeney
Review: Austenfeld, ed., <i>Robert Lowell in a New Century</i>
Posted inIssue 11 2022 Reviews

Review: Austenfeld, ed., Robert Lowell in a New Century

Posted by Gillian Groszewski
Review: Wills, <i>Gamer Nation: Video Games and American Culture</i>
Posted inIssue 11 2022 Reviews

Review: Wills, Gamer Nation: Video Games and American Culture

Posted by Eoin O'Callaghan
Review: Sawires-Masseli, <i>Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership</i>
Posted inIssue 11 2022 Reviews

Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

Posted by Courtney Mullis
Review: Christian Schmidt, <i>Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction</i>.
Posted inIssue 10 2020-21 Reviews

Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

Posted by Jan Benes
‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s <i>The City We Became</i>
Posted inArticles Issue 10 2020-21

‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

Posted by Carolann North
Review: Wickham Clayton, ed, <i>Style and Form in the Hollywood Slasher Film</i>
Posted inIssue 10 2020-21 Reviews

Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

Posted by Noel O'Shea
“‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
Posted inArticles Issue 10 2020-21

“‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Posted by Cecilia Donohue
Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s <i>Absalom, Absalom!</i> and Styron’s <i>Confessions of Nat Turner</i>
Posted inArticles Issue 10 2020-21

Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

Posted by Beatrice Melodia Festa
Satire, Symbolism, and the “Working Through” of Historical Ghosts in <i>The Confidence-Man</i>
Posted inArticles Issue 10 2020-21

Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

Posted by Alex McDonnell
Review: Leopold Lippert, <i>Performing America Abroad</i>
Posted inIssue 10 2020-21 Reviews

Review: Leopold Lippert, Performing America Abroad

Posted by Ciarán Leinster
“The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s
Posted inArticles Issue 10 2020-21

“The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

Posted by Olga Thierbach-McLean
Review: Kloeckner, Knewitz, and Sielke, eds., <i>Knowledge Landscapes North America</i>
Posted inIssue 10 2020-21 Reviews

Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

Posted by Natalia Kovalyova
Review: T. H. Breen, <i>The Will of the People: The Revolutionary Birth of America</i>
Posted inIssue 10 2020-21 Reviews

Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

Posted by Michael J. Griffin
The Populist Turn in American Politics: A Review-Essay of Kivisto’s <i>The Trump Phenomenon</i>
Posted inArticles Issue 10 2020-21 Reviews

The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

Posted by Julie Sheridan
Review: Andy Connolly, <i>Philip Roth and the American Liberal Tradition</i>
Posted inIssue 10 2020-21 Reviews

Review: Andy Connolly, Philip Roth and the American Liberal Tradition

Posted by Dolores Resano
Review: Ernst, Matter-Siebel, and Schmidt, eds., <i>Revisionist Approaches to American Realism and Naturalism</i>
Posted inIssue 10 2020-21 Reviews

Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

Posted by Alan Gibbs
Review: Bernice M. Murphy, <i>Key Concepts in Contemporary Popular Fiction</i>
Posted inIssue 10 2020-21 Reviews

Review: Bernice M. Murphy, Key Concepts in Contemporary Popular Fiction

Posted by Yves Laberge
IAAS 50th Anniversary Special Issue on Irish American Studies
Posted inEditorials Issue 9 2020

IAAS 50th Anniversary Special Issue on Irish American Studies

Posted by Tim Groenland
On Becoming an Americanist
Posted inArticles Issue 9 2020

On Becoming an Americanist

Posted by Kevin Power
From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic
Posted inArticles Issue 9 2020

From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic

Posted by Dara Downey
The Shock of Recognition: Reading American Fiction in Celtic Tiger Ireland
Posted inArticles Issue 9 2020

The Shock of Recognition: Reading American Fiction in Celtic Tiger Ireland

Posted by Adam Kelly
Some Comments on Irish American Studies
Posted inArticles Issue 9 2020

Some Comments on Irish American Studies

Posted by Lee M. Jenkins
Lonely, But Not Alone: Studying America in Ireland in the Time of COVID-19
Posted inArticles Issue 9 2020

Lonely, But Not Alone: Studying America in Ireland in the Time of COVID-19

Posted by Kelsie Donnelly
Two Roads Diverged
Posted inArticles Issue 9 2020

Two Roads Diverged

Posted by Sue Norton
But It Is Your Problem
Posted inArticles Issue 9 2020

But It Is Your Problem

Posted by Kimberly Reyes
Reading Transatlantically in the Era of Trump
Posted inArticles Issue 9 2020

Reading Transatlantically in the Era of Trump

Posted by Dolores Resano
(Dis)Connections: Civil Rights and Discrimination in America and Northern Ireland
Posted inArticles Issue 9 2020

(Dis)Connections: Civil Rights and Discrimination in America and Northern Ireland

Posted by Melissa L. Baird
A Backward Glance: My Quarter Century in the IAAS
Posted inArticles Issue 9 2020

A Backward Glance: My Quarter Century in the IAAS

Posted by Philip McGowan
Moses Roper, The First Fugitive Slave Lecturer in Ireland, 1838
Posted inArticles Issue 9 2020

Moses Roper, The First Fugitive Slave Lecturer in Ireland, 1838

Posted by Fionnghuala Sweeney and Bruce Baker
Kindred Spirits: Solidarity Between the Choctaw Nation of Oklahoma and Ireland
Posted inArticles Issue 9 2020

Kindred Spirits: Solidarity Between the Choctaw Nation of Oklahoma and Ireland

Posted by Jessica Militante
“[N]ow There <i>Ought</i> to Be a Watchman”: Curfews and Race in U.S. Literature
Posted inArticles Issue 9 2020

“[N]ow There Ought to Be a Watchman”: Curfews and Race in U.S. Literature

Posted by Sarah Cullen
What a Difference a Word Makes: Reconsidering Language in <i>Huckleberry Finn</i>
Posted inArticles Issue 9 2020

What a Difference a Word Makes: Reconsidering Language in Huckleberry Finn

Posted by Clair A. Sheehan
American Wakes and the Global Troubles: U.S. Collapse Fiction and the Irish Future
Posted inArticles Issue 9 2020

American Wakes and the Global Troubles: U.S. Collapse Fiction and the Irish Future

Posted by Dorothea Gail
Undecided: Nixon, Trump, and the Risks of Counting on the Silent Majority
Posted inArticles Issue 9 2020

Undecided: Nixon, Trump, and the Risks of Counting on the Silent Majority

Posted by Sarah Thelen
“The Conviviality of Thinking Together”: Personal Notes & Recollections for IAAS@50
Posted inArticles Issue 9 2020

“The Conviviality of Thinking Together”: Personal Notes & Recollections for IAAS@50

Posted by Philip Coleman
A Transatlantic Conversation: Poetry, Politics, and Violence
Posted inArticles Issue 9 2020

A Transatlantic Conversation: Poetry, Politics, and Violence

Posted by Peggy O'Brien
“The Fire Is Not in the Future”: Reflections on American Studies in a Year of Crisis
Posted inArticles Issue 9 2020

“The Fire Is Not in the Future”: Reflections on American Studies in a Year of Crisis

Posted by Andrew Clarke
The IAAS’s Americanista: An Interview with Catherine Gander (IAAS Chair)
Posted inInterviews Issue 9 2020

The IAAS’s Americanista: An Interview with Catherine Gander (IAAS Chair)

Posted by Caroline Schroeter and Sarah McCreedy
Issue 8 Editorial
Posted inEditorials Issue 8 2018-19

Issue 8 Editorial

Posted by David Coughlan
The Long Civil Rights Narrative of <i>Show Me a Hero</i>
Posted inArticles Issue 8 2018-19

The Long Civil Rights Narrative of Show Me a Hero

Posted by Mikkel Jensen
A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?
Posted inArticles Issue 8 2018-19

A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

Posted by Olga Thierbach-McLean
The Underground Frontier: Norman Mailer’s <i>An American Dream</i>
Posted inArticles Issue 8 2018-19

The Underground Frontier: Norman Mailer’s An American Dream

Posted by Kevin Power
“To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s <i>In Cold Blood</i>
Posted inArticles Issue 8 2018-19

“To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

Posted by Steffen Wöll
Liminal Spaces and Contested Narratives in Juan Rulfo’s <i>Pedro Parámo</i> and George Saunders’ <i>Lincoln in the Bardo</i>
Posted inArticles Issue 8 2018-19

Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo

Posted by Aoileann Ní Éigeartaigh
Review: Michael J. Lewis, <i>City of Refuge: Separatists and Utopian Town Planning</i>
Posted inIssue 8 2018-19 Reviews

Review: Michael J. Lewis, City of Refuge: Separatists and Utopian Town Planning

Posted by Jan Frohburg
Review: Jesús Blanco Hidalga, <i>Jonathan Franzen and the Romance of Community: Narratives of Salvation</i>
Posted inIssue 8 2018-19 Reviews

Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation

Posted by Jennifer Daly
Review: Eileen T. Lundy and Edward J. Lundy, eds., <i>Practicing Transnationalism: American Studies in the Middle East</i>
Posted inIssue 8 2018-19 Reviews

Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

Posted by Marcus Walsh-Führing
Review: Jeffrey Herlihy-Mera, <i>After American Studies: Rethinking the Legacies of Transnational Exceptionalism</i>
Posted inIssue 8 2018-19 Reviews

Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

Posted by Tomás Dodds
Review: Laurence W. Mazzeno and Sue Norton, eds., <i>European Perspectives on John Updike</i>
Posted inIssue 8 2018-19 Reviews

Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

Posted by Daniel Picker
Review: Joe B. Fulton, <i>Mark Twain Under Fire</i>
Posted inIssue 8 2018-19 Reviews

Review: Joe B. Fulton, Mark Twain Under Fire

Posted by Clair A. Sheehan
Review: Samuele F. S. Pardini, <i>In the Name of the Mother: Italian Americans, African Americans and Modernity</i>
Posted inIssue 8 2018-19 Reviews

Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity

Posted by Christian O'Connell
Issue 7 Editorial: Special Postgraduate Issue
Posted inEditorials Issue 7 2018

Issue 7 Editorial: Special Postgraduate Issue

Posted by Rosemary Gallagher
“The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850
Posted inArticles Issue 7 2018

“The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

Posted by Carmel Lambert
Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century
Posted inArticles Issue 7 2018

Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

Posted by Hilary McLaughlin-Stonham
Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in <i>Fanshawe</i> and “The Artist of the Beautiful”
Posted inArticles Issue 7 2018

Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

Posted by James Hussey
Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop
Posted inArticles Issue 7 2018

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Posted by Andrew Duncan
“Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ <i>Death Will Have Your Eyes</i>
Posted inArticles Issue 7 2018

“Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes

Posted by Kelsie Donnelly
The Viewer Society: ‘New Panopticism’, Surveillance, and the Body in Dave Eggers’ <i>The Circle</i>
Posted inArticles Issue 7 2018

The Viewer Society: ‘New Panopticism’, Surveillance, and the Body in Dave Eggers’ The Circle

Posted by Jennifer Gouck
Empty Constructs: The Postmodern Haunted House in Mark Z. Danielewski’s <i>House of Leaves</i>
Posted inArticles Issue 7 2018

Empty Constructs: The Postmodern Haunted House in Mark Z. Danielewski’s House of Leaves

Posted by Seán Travers
Review: Marc Leeds, <i>The Vonnegut Encyclopedia</i>
Posted inIssue 7 2018 Reviews

Review: Marc Leeds, The Vonnegut Encyclopedia

Posted by Miranda Corcoran
Review: Catrin Gersdorf and Juliane Braun, eds., <i>America After Nature: Democracy, Culture, Environment</i>
Posted inIssue 7 2018 Reviews

Review: Catrin Gersdorf and Juliane Braun, eds., America After Nature: Democracy, Culture, Environment

Posted by Sarah Cullen
Review: Jon C. Teaford, <i>The Twentieth-Century American City: Problem, Promise and Reality</i>
Posted inIssue 7 2018 Reviews

Review: Jon C. Teaford, The Twentieth-Century American City: Problem, Promise and Reality

Posted by Lucy Cheseldine
Issue 6 Editorial: Special Issue on Marilynne Robinson
Posted inEditorials Issue 6 2017

Issue 6 Editorial: Special Issue on Marilynne Robinson

Posted by Jennifer Daly
“His soul is marching on”: Suppressing John Brown in Marilynne Robinson’s <i>Gilead</i>
Posted inArticles Issue 6 2017

“His soul is marching on”: Suppressing John Brown in Marilynne Robinson’s Gilead

Posted by Elizabeth Abele
Vision as Creation and Alternative:  The Role of the Author Function in Marilynne Robinson’s Plural Text Gospels of Gilead
Posted inArticles Issue 6 2017

Vision as Creation and Alternative:  The Role of the Author Function in Marilynne Robinson’s Plural Text Gospels of Gilead

Posted by Daniel Muhlestein
The Nature of the Horizon: Genealogy in Marilynne Robinson’s <i>Gilead</i>
Posted inArticles Issue 6 2017

The Nature of the Horizon: Genealogy in Marilynne Robinson’s Gilead

Posted by Adrianna Smith
Unaffected: Marilynne Robinson’s Postmodern Sentimentalism
Posted inArticles Issue 6 2017

Unaffected: Marilynne Robinson’s Postmodern Sentimentalism

Posted by Lisa Mendelman
“The Empty Mirror”: Selfhood and the Utility of Language in Marilynne Robinson’s <i>Housekeeping</i>
Posted inArticles Issue 6 2017

“The Empty Mirror”: Selfhood and the Utility of Language in Marilynne Robinson’s Housekeeping

Posted by Andrew Cunning
Those Same Trees: Narrative Sequence and Simultaneity in  Marilynne Robinson’s Gilead Novels
Posted inArticles Issue 6 2017

Those Same Trees: Narrative Sequence and Simultaneity in Marilynne Robinson’s Gilead Novels

Posted by Rachel Sykes
Democracy, and Other Fictions: On the Politics of Robinson’s Non-Fiction
Posted inArticles Issue 6 2017

Democracy, and Other Fictions: On the Politics of Robinson’s Non-Fiction

Posted by Tim Jelfs
(Sub)merged Worlds in Marilynne Robinson’s <i>Housekeeping</i>
Posted inArticles Issue 6 2017

(Sub)merged Worlds in Marilynne Robinson’s Housekeeping

Posted by Kelsie Donnelly
Review: Stephen Burt, <i>the poem is you: 60 Contemporary American Poems and How to Read Them</i>
Posted inIssue 6 2017 Reviews

Review: Stephen Burt, the poem is you: 60 Contemporary American Poems and How to Read Them

Posted by Philip McGowan
Issue 5 Editorial
Posted inEditorials Issue 5 2016

Issue 5 Editorial

Posted by David Coughlan
Thirty-Six-Point Perpetua: John Updike’s Personal Essays in the Later Years
Posted inArticles Issue 5 2016

Thirty-Six-Point Perpetua: John Updike’s Personal Essays in the Later Years

Posted by Sue Norton and Laurence W. Mazzeno

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Review: Kelly Ross, Slavery, Surveillance, and Genre in United States Literature

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“Writing the tide”: Decolonial resurgence and Native continuance in Kathy Jetn̄il-Kijiner’s Iep Jāltok: Poems from a Marshallese Daughter

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Posted inIssue 13 2024 Reviews

Review: Jonathan A. Cook, Neither Believer Nor Infidel: Skepticism and Faith in Melville’s Shorter Fiction and Poetry

Posted by Zach Hutchins June 5, 2024
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