Posted inEditorials Issue 7 2018 Issue 7 Editorial: Special Postgraduate Issue Posted by Rosemary Gallagher
Posted inArticles Issue 7 2018 “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850 Posted by Carmel Lambert
Posted inArticles Issue 7 2018 Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century Posted by Hilary McLaughlin-Stonham
Posted inArticles Issue 7 2018 Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful” Posted by James Hussey
Posted inArticles Issue 7 2018 Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop Posted by Andrew Duncan
Posted inArticles Issue 7 2018 “Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes Posted by Kelsie Donnelly
Posted inArticles Issue 7 2018 The Viewer Society: ‘New Panopticism’, Surveillance, and the Body in Dave Eggers’ The Circle Posted by Jennifer Gouck
Posted inArticles Issue 7 2018 Empty Constructs: The Postmodern Haunted House in Mark Z. Danielewski’s House of Leaves Posted by Seán Travers
Posted inIssue 7 2018 Reviews Review: Marc Leeds, The Vonnegut Encyclopedia Posted by Miranda Corcoran
Posted inIssue 7 2018 Reviews Review: Catrin Gersdorf and Juliane Braun, eds., America After Nature: Democracy, Culture, Environment Posted by Sarah Cullen
Posted inIssue 7 2018 Reviews Review: Jon C. Teaford, The Twentieth-Century American City: Problem, Promise and Reality Posted by Lucy Cheseldine
