Posted inArticles Issue 8 2018-19 The Long Civil Rights Narrative of Show Me a Hero Posted by Mikkel Jensen
Posted inArticles Issue 8 2018-19 A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise? Posted by Olga Thierbach-McLean
Posted inArticles Issue 8 2018-19 The Underground Frontier: Norman Mailer’s An American Dream Posted by Kevin Power
Posted inArticles Issue 8 2018-19 “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood Posted by Steffen Wöll
Posted inArticles Issue 8 2018-19 Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo Posted by Aoileann Ní Éigeartaigh
Posted inIssue 8 2018-19 Reviews Review: Michael J. Lewis, City of Refuge: Separatists and Utopian Town Planning Posted by Jan Frohburg
Posted inIssue 8 2018-19 Reviews Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation Posted by Jennifer Daly
Posted inIssue 8 2018-19 Reviews Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East Posted by Marcus Walsh-Führing
Posted inIssue 8 2018-19 Reviews Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism Posted by Tomás Dodds
Posted inIssue 8 2018-19 Reviews Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike Posted by Daniel Picker
Posted inIssue 8 2018-19 Reviews Review: Joe B. Fulton, Mark Twain Under Fire Posted by Clair A. Sheehan
Posted inIssue 8 2018-19 Reviews Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity Posted by Christian O'Connell
