Author Sue Norton and Laurence W. Mazzeno

Sue Norton and Laurence W. Mazzeno

Sue Norton is a lecturer of English in the Dublin Institute of Technology. Her PhD (UCD, 2001) was on representations of family in contemporary American fiction. She has published several sections of her dissertation, two, notably, on John Updike (The John Updike Review 2014 and The Explicator 2013). She teaches general English Studies including American literature, Creative Writing, Composition, and Applied Grammar. She also writes outside of academia, in particular general essays for a wide readership. Laurence W. Mazzeno is President Emeritus of Alvernia University in Reading, Pennsylvania. He is the author of a number of books in Camden House’s Literary Criticism in Perspective Series including Becoming John Updike (2013) and the more recent The Critics and Hemingway (2015). He is editor of Twenty-First Century Perspectives on Victorian Literature (Rowman & Littlefield 2014), and, with Ronald D. Morrison, Victorian Writers and the Environment: Ecocritical Perspectives (Routledge, forthcoming in 2017). He has published many reference essays and book reviews, and has served on the editorial staff of Nineteenth Century Prose and its predecessor, The Arnoldian, since 1982.

Thirty-Six-Point Perpetua: John Updike’s Personal Essays in the Later Years

Sue Norton and Laurence W. Mazzeno

Articles

Posterity In his Preface to Due Considerations (2007), John Updike tells us that when he was a very young man, he yearned to become a professional writer so that his ideas might join the “printed material that... Read More...

Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

“a settled place”: Reproductive Performance in the Liberties and The Liberties

‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

“‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

“The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

Review: Austenfeld, ed., Robert Lowell in a New Century

Review: Wills, Gamer Nation: Video Games and American Culture

Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

Review: Leopold Lippert, Performing America Abroad

Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

From Mitchelstown to Michigan: Kevin Roche’s Formative Years

Thirty-Six-Point Perpetua: John Updike’s Personal Essays in the Later Years