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  • Home
  • Issues
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
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    • A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

      Olga Thierbach-McLean
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    • The Long Civil Rights Narrative of Show Me a Hero

      Mikkel Jensen

    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

      Carmel Lambert

    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

      Hilary McLaughlin-Stonham

    • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

      James Hussey

    • Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

      Andrew Duncan

    • “Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes

      Kelsie Donnelly
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    • Review: Michael J. Lewis, City Of Refuge: Separatists And Utopian Town Planning

      Jan Frohburg
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      Miranda Corcoran

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      Sarah Cullen

    • Review: Jon C. Teaford, The Twentieth-Century American City: Problem, Promise and Reality

      Lucy Cheseldine

    • Review: Stephen Burt, the poem is you: 60 Contemporary American Poems and How to Read Them

      Philip McGowan
    • Melville: Fashioning in Modernity

      Review: Stephen Matterson, Melville: Fashioning in Modernity

      Johanna Hoorenman

    • Review: Steve Gronert Ellerhoff, Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut

      Miranda Corcoran
  • Interviews
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READ MORE:
  • A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?
  • Review: Michael J. Lewis, City Of Refuge: Separatists And Utopian Town Planning
  • The Long Civil Rights Narrative of Show Me a Hero
  • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

Author Seán Travers

Seán Travers

Empty Constructs: The Postmodern Haunted House in Mark Z. Danielewski’s House of Leaves

Seán Travers
Articles
Special Mention in the 2016 WTM Riches Essay Prize   According to Dale Bailey, “since Poe first described the House of Usher in 1839, the motif of the haunted house has assumed an enduring role in the ... Read More...
EISSN (2009-2377)