• Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
  • Reviews
  • Interviews
  • Contributors
    • Issue 3 2014
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
    • Submissions
    • Books For Review
  • About IAAS
Irish Journal of American Studies logo
Log In
Lost your password?
Lost your password?
Search
  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random
    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
      Articles, Issue 10 2020-21
    Recent
    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace
    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer
    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue
  • Reviews
    Random
    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan
      Issue 11 2022, Reviews
    Recent
    • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky
    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin
    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski
    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis
    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
  • Interviews
    Random
    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent
    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 3 2014
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
    • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South
  • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

Author Olga Thierbach-McLean

Olga Thierbach-McLean

Olga Thierbach-McLean is an independent scholar, journalist, musician, and literary translator. After studying North American literature, Russian literature, and musicology at the University of Hamburg and UC Berkeley, she earned her doctorate in American Studies at UHH. She is the author of various articles on U.S. political culture, as well as of the book Emersonian Nation which traces the resonance of Emersonian individualism in current U.S. discourses on personal rights and social reform. Her main research interests are in contemporary U.S. politics and particularly the intersections between politics and literature, in American Transcendentalism, the intellectual history of liberalism, and dystopian fiction. Currently, her projects are focused on the cultural appropriation debate as an aspect of American political exceptionalism and on the reimagination of the cyberpunk genre as social criticism.

“The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

Olga Thierbach-McLean
Articles, Issue 10 2020-21
The new millennium has entered its third decade, but the 1990s have never quite left us. For twenty years, they have been haunting the pop-cultural imagination as a lost golden era. In what is just the latest i... Read More...

A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

Olga Thierbach-McLean
Articles, Issue 8 2018-19
With Donald Trump as U.S. President and leader of the Republican Party, the ideological divide between American conservatives and liberals seems greater than ever before. From healthcare to environmental policy... Read More...
EISSN (2009-2377)