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  • Home
  • Issues
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
    Random

    • The Long Civil Rights Narrative of Show Me a Hero

      Mikkel Jensen
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    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

      Carmel Lambert

    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

      Hilary McLaughlin-Stonham

    • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

      James Hussey

    • Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

      Andrew Duncan

    • “Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes

      Kelsie Donnelly

    • The Viewer Society: ‘New Panopticism’, Surveillance, and the Body in Dave Eggers’ The Circle

      Jennifer Gouck
  • Reviews
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    • Review: Marc Leeds, The Vonnegut Encyclopedia

      Miranda Corcoran
      Reviews
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    • Review: Catrin Gersdorf and Juliane Braun, eds., America After Nature: Democracy, Culture, Environment

      Sarah Cullen

    • Review: Jon C. Teaford, The Twentieth-Century American City: Problem, Promise and Reality

      Lucy Cheseldine

    • Review: Stephen Burt, the poem is you: 60 Contemporary American Poems and How to Read Them

      Philip McGowan
    • Melville: Fashioning in Modernity

      Review: Stephen Matterson, Melville: Fashioning in Modernity

      Johanna Hoorenman

    • Review: Steve Gronert Ellerhoff, Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut

      Miranda Corcoran

    • Review: Mark Twain and Youth: Studies in His Life and Writings, eds. Kevin McDonnell and R. Kent Rasmussen

      Clair A. Sheehan
  • Interviews
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READ MORE:
  • The Long Civil Rights Narrative of Show Me a Hero
  • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850
  • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century
  • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

Author Lisa Mendelman

Lisa Mendelman

Unaffected: Marilynne Robinson’s Postmodern Sentimentalism

Lisa Mendelman
Articles
The opening lines to Marilynne Robinson’s 1980 novel Housekeeping famously locate the novel in two literary genealogies. Evoking the opener of Melville’s Moby Dick (1851) and invoking the Biblical figure of com... Read More...
EISSN (2009-2377)