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  • Home
  • Issues
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
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    • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo

      Aoileann Ní Éigeartaigh
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    • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

      Steffen Wöll

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      Kevin Power

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      Olga Thierbach-McLean

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      Mikkel Jensen

    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

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    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

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      Christian O'Connell

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      Tomás Dodds

    • Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

      Daniel Picker

    • Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

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      Jan Frohburg
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READ MORE:
  • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

Author Lisa Mendelman

Lisa Mendelman

Unaffected: Marilynne Robinson’s Postmodern Sentimentalism

Lisa Mendelman
Articles
The opening lines to Marilynne Robinson’s 1980 novel Housekeeping famously locate the novel in two literary genealogies. Evoking the opener of Melville’s Moby Dick (1851) and invoking the Biblical figure of com... Read More...
EISSN (2009-2377)