• Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
  • Reviews
  • Interviews
  • Contributors
    • Issue 12 2023
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 3 2014
    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
    • Submissions
    • Books For Review
  • About IAAS
Irish Journal of American Studies logo
Log In
Lost your password?
Lost your password?
Search
  • Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
      Articles, Issue 10 2020-21
    Recent

    • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman

      C.T. Power

    • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

      Niamh Keating

    • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

      Georgia Walton

    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
  • Reviews
    Random

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
      Issue 10 2020-21, Reviews
    Recent

    • Review: Lahr, Arthur Miller: American Witness

      Ciarán Leinster

    • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

      Melissa L. Baird

    • Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

      Sebastian Tants-Boestad

    • Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

      Guy Lancaster

    • Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 12 2023
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 3 2014
    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
    • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman
  • Review: Lahr, Arthur Miller: American Witness
  • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994
  • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

Author Katie Ahern

Katie Ahern

Katie Ahern is a PhD candidate in the School of English, University College Cork. Her research focuses on the representations of marginal characters in urban spaces in the twentieth-century American novel, with a particular interest in the writings of Edith Wharton, Anzia Yezierska, and Louise Erdrich.

“To Make For Myself a Person”: Immigrant Identities in Anzia Yezierska’s Bread Givers

Katie Ahern
Articles, Issue 4 2015
Anzia Yezierska was a Jewish-American writer, most popular in the 1920s, and best known for her texts on the struggles of immigrants in America. She achieved fame in the 1910s for her efforts to accurately repr... Read More...
EISSN (2009-2377)