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  • Home
  • Issues
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
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    • The Long Civil Rights Narrative of Show Me a Hero

      Mikkel Jensen
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      Carmel Lambert

    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

      Hilary McLaughlin-Stonham

    • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

      James Hussey

    • Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

      Andrew Duncan

    • “Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes

      Kelsie Donnelly

    • The Viewer Society: ‘New Panopticism’, Surveillance, and the Body in Dave Eggers’ The Circle

      Jennifer Gouck
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      Miranda Corcoran
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      Sarah Cullen

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      Lucy Cheseldine

    • Review: Stephen Burt, the poem is you: 60 Contemporary American Poems and How to Read Them

      Philip McGowan
    • Melville: Fashioning in Modernity

      Review: Stephen Matterson, Melville: Fashioning in Modernity

      Johanna Hoorenman

    • Review: Steve Gronert Ellerhoff, Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut

      Miranda Corcoran

    • Review: Mark Twain and Youth: Studies in His Life and Writings, eds. Kevin McDonnell and R. Kent Rasmussen

      Clair A. Sheehan
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READ MORE:
  • The Long Civil Rights Narrative of Show Me a Hero
  • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850
  • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century
  • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

Author Katie Ahern

Katie Ahern

“To Make For Myself a Person”: Immigrant Identities in Anzia Yezierska’s Bread Givers

Katie Ahern
Articles
“To Make For Myself a Person”: Immigrant Identities in Anzia Yezierska’s Bread Givers Katie Ahern University College Cork Anzia Yezierska was a Jewish-American writer, most popular in the 1920s, and be... Read More...
EISSN (2009-2377)