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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

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      Cecilia Donohue

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

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      Kevin Power
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      Noel O'Shea

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      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano

    • Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

      Alan Gibbs
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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READ MORE:
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

Author Katie Ahern

Katie Ahern

Katie Ahern is a PhD candidate in the School of English, University College Cork. Her research focuses on the representations of marginal characters in urban spaces in the twentieth-century American novel, with a particular interest in the writings of Edith Wharton, Anzia Yezierska, and Louise Erdrich.

“To Make For Myself a Person”: Immigrant Identities in Anzia Yezierska’s Bread Givers

Katie Ahern
Articles
Anzia Yezierska was a Jewish-American writer, most popular in the 1920s, and best known for her texts on the struggles of immigrants in America. She achieved fame in the 1910s for her efforts to accurately repr... Read More...
EISSN (2009-2377)