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  • Home
  • Issues
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
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    • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote's In Cold Blood

      Steffen Wöll
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    • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo

      Aoileann Ní Éigeartaigh

    • The Underground Frontier: Norman Mailer’s An American Dream

      Kevin Power

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      Olga Thierbach-McLean

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      Mikkel Jensen

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      Carmel Lambert

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      Christian O'Connell

    • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

      Tomás Dodds

    • Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

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    • Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

      Marcus Walsh-Führing

    • Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation

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      Jan Frohburg
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READ MORE:
  • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

Author James Hussey

James Hussey

Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

James Hussey
Articles
In his seminal American Renaissance, Frances Otto Matthiessen points to the development by Nathaniel Hawthorne of tragic elements of character, noting his exploration of the “subterranean history of the America... Read More...
EISSN (2009-2377)