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  • Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue
      Articles, Issue 10 2020-21
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    • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman

      C.T. Power

    • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

      Niamh Keating

    • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

      Georgia Walton

    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
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      Gillian Groszewski
      Issue 11 2022, Reviews
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      Ciarán Leinster

    • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

      Melissa L. Baird

    • Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

      Sebastian Tants-Boestad

    • Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

      Guy Lancaster

    • Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
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READ MORE:
  • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman
  • Review: Lahr, Arthur Miller: American Witness
  • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994
  • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles, Issue 7 2018
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)