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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
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    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
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    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean

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      Julie Sheridan

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      Kevin Power

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      Lee M. Jenkins
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      Ciarán Leinster
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      Natalia Kovalyova

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      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

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      Dolores Resano

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      Alan Gibbs

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      Yves Laberge
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      Ellen Rowley
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    • Issue 10 2020-21
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READ MORE:
  • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man
  • Review: Leopold Lippert, Performing America Abroad
  • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s
  • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)