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  • Home
  • Issues
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
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    • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote's In Cold Blood

      Steffen Wöll
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    • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo

      Aoileann Ní Éigeartaigh

    • The Underground Frontier: Norman Mailer’s An American Dream

      Kevin Power

    • A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

      Olga Thierbach-McLean

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      Mikkel Jensen

    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

      Carmel Lambert

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      Hilary McLaughlin-Stonham
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    • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

      Tomás Dodds
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      Christian O'Connell

    • Review: Joe B. Fulton, Mark Twain Under Fire

      Clair A. Sheehan

    • Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

      Daniel Picker

    • Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

      Marcus Walsh-Führing

    • Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation

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      Jan Frohburg
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READ MORE:
  • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

Author Andrew Duncan

Andrew Duncan

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)