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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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      Lee M. Jenkins
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      Jessica Militante

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      Jan Frohburg

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      Jennifer Daly

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      Marcus Walsh-Führing

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      Tomás Dodds
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    • Issue 10 2020-21
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READ MORE:
  • Review: Andy Connolly, Philip Roth and the American Liberal Tradition
  • “[N]ow There Ought to Be a Watchman”: Curfews and Race in U.S. Literature
  • Kindred Spirits: Solidarity Between the Choctaw Nation of Oklahoma and Ireland
  • Moses Roper, The First Fugitive Slave Lecturer in Ireland, 1838

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)