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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

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      Alex McDonnell

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      Julie Sheridan

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    • Issue 10 2020-21
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READ MORE:
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner
  • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man
  • Review: Leopold Lippert, Performing America Abroad

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)