• Home
  • Issues
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
  • Reviews
  • Interviews
  • Contributors
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
    • Books For Review
  • About IAAS
Irish Journal of American Studies logo
Log In
Lost your password?
Lost your password?
Search
  • Home
  • Issues
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
      Articles
    Recent

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
  • Reviews
    Random

    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster
      Reviews
    Recent

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes

    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea

    • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

      Natalia Kovalyova
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement
  • “a settled place”: Reproductive Performance in the Liberties and The Liberties
  • Review: Austenfeld, ed., Robert Lowell in a New Century
  • Review: Wills, Gamer Nation: Video Games and American Culture

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)