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  • Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
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      • Issue 2 2010
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      • Issue 1 2009
    • ARCHIVE
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    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
      Articles, Issue 10 2020-21
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    • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

      Georgia Walton

    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
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      Ciarán Leinster
      Issue 10 2020-21, Reviews
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      Sebastian Tants-Boestad

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      Guy Lancaster

    • Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky

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      Laura Gillespie

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      Henry Martin

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      Gillian Groszewski
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
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READ MORE:
  • Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author
  • Review: Chavis, The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State
  • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter
  • Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

Author Andrew Duncan

Andrew Duncan

Andrew Duncan is an M3C DTP funded PhD candidate at the University of Nottingham. His research focuses on representations of the United States ‘War on Drugs’ in Hip-Hop lyricism from the 1970s to the present. He is the holder of an MPhil in Literatures of the Americas from Trinity College Dublin.

Ego Pluribus Unum: How One Man, Speaking for Many, Changed Hip-Hop

Andrew Duncan
Articles, Issue 7 2018
“King of the Assholes, drama queen, Red Bull’d 12-year old, Next Chappelle, strangely relatable Megaman,” Black supremacist, hypocrite, poet, social commentator, superstar: the list of titles and labels ascribe... Read More...
EISSN (2009-2377)