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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
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    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power

    • From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic

      Dara Downey
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    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster
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      Natalia Kovalyova

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      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano

    • Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

      Alan Gibbs

    • Review: Bernice M. Murphy, Key Concepts in Contemporary Popular Fiction

      Yves Laberge
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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READ MORE:
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner
  • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man
  • Review: Leopold Lippert, Performing America Abroad

Author Alex McDonnell

Alex McDonnell

Alex McDonnell completed a PhD on representations of Native Americans in nineteenth-century American fiction at Durham University in November 2016. In 2019 his article “'In Constant Fellowship with One Unseen': Negotiations with the Native Other and American National Identity in Helen Hunt Jackson's Ramona" was published by Journal of the Southwest. In 2017 he won the Adam Matthew Digital Essay Prize for his essay "Satire, Symbolism and the 'Working Through' of Historical Ghosts in The Confidence-Man." In June 2014 he organised a conference on American Imperialism and National Identity at St Aidan’s College in Durham University. His current research interests include but are not limited to neoliberalism, science fiction, and nineteenth-century literature.

Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

Alex McDonnell
Articles
Although there have been powerful attacks on what Hershel Parker nominates as the “standard line of interpretation” (x) regarding Herman Melville’s The Confidence-Man, what could we gain from going against the ... Read More...
EISSN (2009-2377)