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  • Home
  • Issues
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
    Random

    • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo

      Aoileann Ní Éigeartaigh
      Articles
    Recent

    • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

      Steffen Wöll

    • The Underground Frontier: Norman Mailer’s An American Dream

      Kevin Power

    • A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

      Olga Thierbach-McLean

    • The Long Civil Rights Narrative of Show Me a Hero

      Mikkel Jensen

    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

      Carmel Lambert

    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

      Hilary McLaughlin-Stonham
  • Reviews
    Random

    • Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation

      Jennifer Daly
      Reviews
    Recent

    • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity

      Christian O'Connell

    • Review: Joe B. Fulton, Mark Twain Under Fire

      Clair A. Sheehan

    • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

      Tomás Dodds

    • Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

      Daniel Picker

    • Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

      Marcus Walsh-Führing

    • Review: Michael J. Lewis, City Of Refuge: Separatists And Utopian Town Planning

      Jan Frohburg
  • Interviews
  • Contributors
  • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • Liminal Spaces and Contested Narratives in Juan Rulfo’s Pedro Parámo and George Saunders’ Lincoln in the Bardo
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

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EISSN (2009-2377)