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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power
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    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

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      Noel O'Shea

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      Ciarán Leinster

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      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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    • Issue 8 2018-19
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    • Issue 5 2016
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  • Submissions
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READ MORE:
  • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Author Yves Laberge

Yves Laberge

Dr Yves Laberge is a sociologist and Professor of Cultural Studies, Sociology of Religions, and Anthropology of Religions at the University of Ottawa. He is a regular member of an interdisciplinary research center based in Montréal: the Centre de recherche en éducation et formation relatives à l'environnement et à l'écocitoyenneté. He serves as Book Series Editor for the series L'espace public and Cinéma et société at Les Presses de l'Université Laval and also for the Parisian publisher L'Harmattan.

Review: Bernice M. Murphy, Key Concepts in Contemporary Popular Fiction

Yves Laberge
Reviews
Bernice M. Murphy. Key Concepts in Contemporary Popular Fiction. Edinburgh University Press, 2017. Students and academics always need keywords and concise definitions for the everyday concepts they refer to,... Read More...
EISSN (2009-2377)