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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
      Articles, Issue 10 2020-21
    Recent

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa
  • Reviews
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    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan
      Issue 11 2022, Reviews
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    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie

    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes

    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
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READ MORE:
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War
  • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

Author Tim Groenland

Tim Groenland

Tim Groenland teaches in the School of English, Irish, and Communication at the University of Limerick. His writing has appeared in Critique, The Los Angeles Review of Books, and The Dublin Review of Books, among other venues. His first book, The Art of Editing: Raymond Carver and David Foster Wallace, was published in 2019 by Bloomsbury Academic.

IAAS 50th Anniversary Special Issue on Irish American Studies

Tim Groenland
Editorials, Issue 9 2020
In October 1970, Richard Nixon—then approaching the end of his second year as US President—landed in Shannon Airport to commence a three-day visit to Ireland, announcing upon his arrival that he could “proudly ... Read More...

The Poetics of the Sentence: Examining Gordon Lish’s Literary Legacy

Tim Groenland
Articles, Issue 4 2015
In September 2008, Gary Lutz, author of several collections of short fiction, delivered a lecture entitled “The Sentence is a Lonely Place” to the students of Columbia University’s writing program in which he o... Read More...
EISSN (2009-2377)