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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
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    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power
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    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

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    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea

    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster

    • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano
  • Interviews
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Author Tim Groenland

Tim Groenland

Tim Groenland is a Government of Ireland Postdoctoral Fellow in the School of English at University College Cork, where he is working on a project on the history of the New American Review. His writing has appeared in Critique, The Los Angeles Review of Books, and The Dublin Review of Books, among other venues. His first book, The Art of Editing: Raymond Carver and David Foster Wallace, was published in 2019 by Bloomsbury Academic. He is the Marketing and Reviews Editor for the IJAS.

IAAS 50th Anniversary Special Issue on Irish American Studies

Tim Groenland
Editorials
In October 1970, Richard Nixon—then approaching the end of his second year as US President—landed in Shannon Airport to commence a three-day visit to Ireland, announcing upon his arrival that he could “proudly ... Read More...

The Poetics of the Sentence: Examining Gordon Lish’s Literary Legacy

Tim Groenland
Articles
In September 2008, Gary Lutz, author of several collections of short fiction, delivered a lecture entitled “The Sentence is a Lonely Place” to the students of Columbia University’s writing program in which he o... Read More...
EISSN (2009-2377)