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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
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  • Articles
    Random
    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
      Articles, Issue 10 2020-21
    Recent
    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace
    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer
    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue
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    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan
      Issue 11 2022, Reviews
    Recent
    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin
    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski
    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis
    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent
    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
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READ MORE:
  • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War
  • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

Author Tim Groenland and Fionnghuala Sweeney

Tim Groenland and Fionnghuala Sweeney

Tim Groenland and Fionnghuala Sweeney are the Co-Editors-in-Chief of IJAS Online. Tim Groenland teaches in the School of English, Irish, and Communication at the University of Limerick. His writing has appeared in Critique, The Los Angeles Review of Books, and The Dublin Review of Books, among other venues. His first book, The Art of Editing: Raymond Carver and David Foster Wallace, was published in 2019 by Bloomsbury Academic. Fionnghuala Sweeney is Reader in American and Black Atlantic Literature at Newcastle University. Her research and teaching encompass 19th-century US Studies, African American literature and culture, literary ecologies, Black Atlantic studies, and Afromodernism. She has published on Frederick Douglass; Afromodernisms; the US and Cuban slave narrative; Ireland, Britain, and slavery; travel writing; visual culture; and Paul Robeson, amongst other things.

Issue 10 Editorial

Tim Groenland and Fionnghuala Sweeney
Editorials, Issue 10 2020-21
Welcome to Issue 10 of the Irish Journal for American Studies, which covers two years of publication, 2020-’21. It has been a complex time, but nonetheless a pleasure to work with those contributors who have co... Read More...
EISSN (2009-2377)