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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
      Articles, Issue 11 2022
    Recent

    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa
  • Reviews
    Random

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
      Issue 11 2022, Reviews
    Recent

    • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky

    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 3 2014
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
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  • About IAAS
READ MORE:
  • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South
  • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

Author Rosemary Gallagher

Rosemary Gallagher

Rosemary Gallagher is a Literature and Humor Scholar and a graduate of NUI Galway. Her doctoral thesis, “Screamingly Funny: A Critical Approach to the Comedic Anti-War Novels of Joseph Heller, Kurt Vonnegut, Tom Robbins and Tony Vigorito,” examines the application of humor to war literature. She is a past Postgraduate Representative for the Irish Association for American Studies. Current research interests include political humor and imagery, cartoons, memetic imagery, and innovation.

Issue 7 Editorial: Special Postgraduate Issue

Rosemary Gallagher
Editorials, Issue 7 2018
Taking its inspiration from the Great Seal of the United States, the November 2015 Irish Association for American Studies Postgraduate Symposium considered the implications inherent in the motto “E Pluribus Unu... Read More...
EISSN (2009-2377)