• Home
  • Issues
    • 2010s
    • 2000s
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
  • Reviews
  • Interviews
  • Contributors
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
    • Books For Review
  • About IAAS
Irish Journal of American Studies logo
Log In
Lost your password?
Lost your password?
Search
  • Home
  • Issues
    • 2010s
    • 2000s
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
      Articles
    Recent

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
  • Reviews
    Random

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
      Reviews
    Recent

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea

    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster

    • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

      Natalia Kovalyova
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
    • Books For Review
  • About IAAS
READ MORE:
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement
  • “a settled place”: Reproductive Performance in the Liberties and The Liberties
  • Review: Austenfeld, ed., Robert Lowell in a New Century
  • Review: Wills, Gamer Nation: Video Games and American Culture

Author Rosemary Gallagher

Rosemary Gallagher

Rosemary Gallagher is a Literature and Humor Scholar and a graduate of NUI Galway. Her doctoral thesis, “Screamingly Funny: A Critical Approach to the Comedic Anti-War Novels of Joseph Heller, Kurt Vonnegut, Tom Robbins and Tony Vigorito,” examines the application of humor to war literature. She is a past Postgraduate Representative for the Irish Association for American Studies. Current research interests include political humor and imagery, cartoons, memetic imagery, and innovation.

Issue 7 Editorial: Special Postgraduate Issue

Rosemary Gallagher
Editorials
Taking its inspiration from the Great Seal of the United States, the November 2015 Irish Association for American Studies Postgraduate Symposium considered the implications inherent in the motto “E Pluribus Unu... Read More...
EISSN (2009-2377)