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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
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    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power

    • From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic

      Dara Downey
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    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster
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      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano

    • Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

      Alan Gibbs

    • Review: Bernice M. Murphy, Key Concepts in Contemporary Popular Fiction

      Yves Laberge
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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READ MORE:
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner
  • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man
  • Review: Leopold Lippert, Performing America Abroad

Author Rosemary Gallagher

Rosemary Gallagher

Rosemary Gallagher is a Literature and Humor Scholar and a graduate of NUI Galway. Her doctoral thesis, “Screamingly Funny: A Critical Approach to the Comedic Anti-War Novels of Joseph Heller, Kurt Vonnegut, Tom Robbins and Tony Vigorito,” examines the application of humor to war literature. She is a past Postgraduate Representative for the Irish Association for American Studies. Current research interests include political humor and imagery, cartoons, memetic imagery, and innovation.

Issue 7 Editorial: Special Postgraduate Issue

Rosemary Gallagher
Editorials
Taking its inspiration from the Great Seal of the United States, the November 2015 Irish Association for American Studies Postgraduate Symposium considered the implications inherent in the motto “E Pluribus Unu... Read More...
EISSN (2009-2377)