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  • Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

      Niamh Keating
      Articles, Issue 12 2023
    Recent

    • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman

      C.T. Power

    • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

      Georgia Walton

    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
  • Reviews
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    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
      Issue 10 2020-21, Reviews
    Recent

    • Review: Lahr, Arthur Miller: American Witness

      Ciarán Leinster

    • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

      Melissa L. Baird

    • Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

      Sebastian Tants-Boestad

    • Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

      Guy Lancaster

    • Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 12 2023
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READ MORE:
  • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman
  • Review: Lahr, Arthur Miller: American Witness
  • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994
  • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

Author Noel O'Shea

Noel O'Shea

Noel O’Shea completed his PhD at the University of Limerick in 2017. His doctoral thesis centred on the aesthetics of the digital image in contemporary cinema, focusing on the crime and horror genres in particular. His main research interests centre on new paradigms of viewer engagement with the digital image, understanding how digital genre films relate to their classical predecessors, and new narrative possibilities afforded by digital technologies in current genre cinema. His article, “‘Something Genuinely Norwegian’: Cultural Identity Under the Influence of American Cinema in the Found Footage Aesthetic of Trolljegeren/Trollhunter (2010),” was published in a Special Issue of Studies in European Cinema in January 2017, which celebrated Space and Place in European cinema.

Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

Noel O'Shea
Issue 10 2020-21, Reviews
Wickham Clayton, editor. Style and Form in the Hollywood Slasher Film. Palgrave Macmillan, 2015. ISBN 978-1-137-49646-1. €48 (paperback). 254pp It is only fitting, in a collection of this type, that Carol Cl... Read More...
EISSN (2009-2377)