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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
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  • Articles
    Random

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
      Articles, Issue 11 2022
    Recent

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell
  • Reviews
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    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster
      Issue 10 2020-21, Reviews
    Recent

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie

    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
  • Interviews
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
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READ MORE:
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War
  • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

Author Noel O'Shea

Noel O'Shea

Noel O’Shea completed his PhD at the University of Limerick in 2017. His doctoral thesis centred on the aesthetics of the digital image in contemporary cinema, focusing on the crime and horror genres in particular. His main research interests centre on new paradigms of viewer engagement with the digital image, understanding how digital genre films relate to their classical predecessors, and new narrative possibilities afforded by digital technologies in current genre cinema. His article, “‘Something Genuinely Norwegian’: Cultural Identity Under the Influence of American Cinema in the Found Footage Aesthetic of Trolljegeren/Trollhunter (2010),” was published in a Special Issue of Studies in European Cinema in January 2017, which celebrated Space and Place in European cinema.

Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

Noel O'Shea
Issue 10 2020-21, Reviews
Wickham Clayton, editor. Style and Form in the Hollywood Slasher Film. Palgrave Macmillan, 2015. ISBN 978-1-137-49646-1. €48 (paperback). 254pp It is only fitting, in a collection of this type, that Carol Cl... Read More...
EISSN (2009-2377)