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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
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    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
      Articles, Issue 11 2022
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    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa
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    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
      Issue 10 2020-21, Reviews
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    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie

    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
  • Interviews
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
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READ MORE:
  • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War
  • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

Author Noel O'Shea

Noel O'Shea

Noel O’Shea completed his PhD at the University of Limerick in 2017. His doctoral thesis centred on the aesthetics of the digital image in contemporary cinema, focusing on the crime and horror genres in particular. His main research interests centre on new paradigms of viewer engagement with the digital image, understanding how digital genre films relate to their classical predecessors, and new narrative possibilities afforded by digital technologies in current genre cinema. His article, “‘Something Genuinely Norwegian’: Cultural Identity Under the Influence of American Cinema in the Found Footage Aesthetic of Trolljegeren/Trollhunter (2010),” was published in a Special Issue of Studies in European Cinema in January 2017, which celebrated Space and Place in European cinema.

Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

Noel O'Shea
Issue 10 2020-21, Reviews
Wickham Clayton, editor. Style and Form in the Hollywood Slasher Film. Palgrave Macmillan, 2015. ISBN 978-1-137-49646-1. €48 (paperback). 254pp It is only fitting, in a collection of this type, that Carol Cl... Read More...
EISSN (2009-2377)