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  • Home
  • Issues
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
    • Issue 2 2010
    • Issue 1 2009
    • ARCHIVE
  • Articles
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    • The Underground Frontier: Norman Mailer's An American Dream

      Kevin Power
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    • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

      Steffen Wöll
    • A Conflict-Laden Consensus: Is the U.S. a One-Party System in Disguise?

      Olga Thierbach-McLean
    • The Long Civil Rights Narrative of Show Me a Hero

      Mikkel Jensen
    • “The Love of Liberty Brought Us Here”: Writing American Identity in Liberia, 1830–1850

      Carmel Lambert
    • Race and Protest in New Orleans: Streetcar Integration in the Nineteenth Century

      Hilary McLaughlin-Stonham
    • Hawthorne’s “Dangerous Soul” and Jacksonian Individualism: Artistic Isolation in Fanshawe and “The Artist of the Beautiful”

      James Hussey
  • Reviews
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    • Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

      Daniel Picker
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    • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity

      Christian O'Connell
    • Review: Joe B. Fulton, Mark Twain Under Fire

      Clair A. Sheehan
    • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

      Tomás Dodds
    • Review: Eileen T. Lundy and Edward J. Lundy, eds., Practicing Transnationalism: American Studies in the Middle East

      Marcus Walsh-Führing
    • Review: Jesús Blanco Hidalga, Jonathan Franzen and the Romance of Community: Narratives of Salvation

      Jennifer Daly
    • Review: Michael J. Lewis, City Of Refuge: Separatists And Utopian Town Planning

      Jan Frohburg
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READ MORE:
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood
  • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

Author Melanie Otto

Melanie Otto

Frida Kahlo

“Tierra entre medio”: Borderlands of Knowledge in the Art of Frida Kahlo

Melanie Otto
Articles
“Tierra entre medio”: Borderlands of Knowledge in the Art of Frida Kahlo
EISSN (2009-2377)