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  • Home
  • Issues
    • Issue 11 2022
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
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      • Issue 2 2010
    • 2000s
      • Issue 1 2009
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
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    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
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    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis
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      Gillian Groszewski

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      Eoin O'Callaghan

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      Jan Benes

    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea

    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster

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      Natalia Kovalyova
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 11 2022
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READ MORE:
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement
  • “a settled place”: Reproductive Performance in the Liberties and The Liberties
  • Review: Austenfeld, ed., Robert Lowell in a New Century
  • Review: Wills, Gamer Nation: Video Games and American Culture

Author Kelsie Donnelly

Kelsie Donnelly

Kelsie Donnelly is a final-year PhD candidate at Queen’s University Belfast. She is the recipient of a Northern Bridge doctoral award, and her thesis is entitled “Beyond 9/11: Counter-narratives of Grief in Post-9/11 Literature.” Her work has been published in Contemporary Aesthetics, C21 Literature: Journal of 21st-Century Writings, as well as the Irish Journal of American Studies.

Lonely, But Not Alone: Studying America in Ireland in the Time of COVID-19

Kelsie Donnelly
Articles
This is not the article I had intended to write. I had planned to write about a conference I co-organised with friends in Irish and American studies in collaboration with the QUB Centre for the Americas, which ... Read More...

“Before You Come Alive, Life Is Nothing; It’s Up to You to Give It a Meaning”: Making Meaning in James Sallis’ Death Will Have Your Eyes

Kelsie Donnelly
Articles
Following Jean-Paul Sartre’s claim that “efore you come alive, life is nothing; it’s up to you to give it a meaning” (Existentialism and Human Emotions 49), this essay will examine the methods for constructing ... Read More...

(Sub)merged Worlds in Marilynne Robinson’s Housekeeping

Kelsie Donnelly
Articles
Special Mention in the 2016 W.T.M Riches Essay Prize This essay explores the (sub)merged worlds depicted in Marilynne Robinson’s novel Housekeeping (1980). Applying psychoanalytic conceptualisations of trauma,... Read More...
EISSN (2009-2377)