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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

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      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

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      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

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      Dolores Resano
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      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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READ MORE:
  • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Author Hannah Durkin

Hannah Durkin

bill bojangles robinson

Tap Dancing on the Racial Boundary

Hannah Durkin
Articles
“Tap Dancing on the Racial Boundary”: Racial Representation and Artistic Experimentation in Bill “Bojangles” Robinson’s Stormy Weather Performance
EISSN (2009-2377)