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    • Issue 8 2018-19
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    • ARCHIVE
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READ MORE:
  • Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity
  • Review: Joe B. Fulton, Mark Twain Under Fire
  • “To Be Murdered”: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood
  • Review: Jeffrey Herlihy-Mera, After American Studies: Rethinking the Legacies of Transnational Exceptionalism

Author Hannah Durkin

Hannah Durkin

bill bojangles robinson

Tap Dancing on the Racial Boundary

Hannah Durkin
Articles
“Tap Dancing on the Racial Boundary”: Racial Representation and Artistic Experimentation in Bill “Bojangles” Robinson’s Stormy Weather Performance
EISSN (2009-2377)