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  • Home
  • Issues
    • 2020s
      • Issue 12 2023
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random
    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa
      Articles, Issue 10 2020-21
    Recent
    • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman

      C.T. Power
    • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

      Niamh Keating
    • “It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

      Georgia Walton
    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace
    • Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

      Natalie Schriefer
    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
  • Reviews
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    • Review: Warren Eugene Milteer, Jr. Beyond Slavery's Shadow: Free People of Color in the South

      Nik Ribianszky
      Issue 12 2023, Reviews
    Recent
    • Review: Lahr, Arthur Miller: American Witness

      Ciarán Leinster
    • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

      Melissa L. Baird
    • Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

      Sebastian Tants-Boestad
    • Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

      Guy Lancaster
    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin
  • Interviews
    Random
    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent
    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 12 2023
    • Issue 11 2022
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    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
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    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
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READ MORE:
  • “Her Happy Solitary Life”: Singleness and Queering the Norm in “Martha’s Lady” by Sarah Orne Jewett and “A New England Nun” by Mary E. Wilkins Freeman
  • Review: Lahr, Arthur Miller: American Witness
  • Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994
  • Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

Author Eva Isherwood-Wallace

Eva Isherwood-Wallace

Eva Isherwood-Wallace is an AHRC-funded PhD student at Queen’s University Belfast, researching Laura Riding and her female contemporaries. She recently completed a research placement on contemporary artists’ books and fine press publishing at the British Library. In 2018 she was awarded the WTM Riches Essay Prize by the Irish Association for American Studies. Her work has been published in The Robert Graves Review and her poetry has appeared in Catflap, The Tangerine, Banshee, Poetry Ireland Review and The Emma Press Anthology of Contemporary Gothic Verse.

“Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

Eva Isherwood-Wallace
Articles, Issue 11 2022
Mina Loy, the “rediscovered and reforgotten” poet of the early twentieth-century American avant-garde (Burke v-vi), wrote poetry that was characterized by strangeness and so unevenly received. Natalya Lusty poi... Read More...
EISSN (2009-2377)