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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power
  • Reviews
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    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
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    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster

    • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano

    • Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

      Alan Gibbs
  • Interviews
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
    • Issue 4 2015
    • Issue 3 2014
  • Submissions
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  • About IAAS
READ MORE:
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

Author Donna Maria Alexander

Donna Maria Alexander

Donna Maria Alexander is an Irish Research Council Postgraduate Scholar in the School of English and Department of Spanish, Portuguese and Latin American Studies in University College Cork. The title of her thesis is Chicana Poetics: Genre and Style in Gloria Anzaldúa and Lorna Dee Cervantes.

Review: Alicia Gaspar de Alba and Alma López, eds., Our Lady of Controversy: Alma López’s Irreverent Apparition

Donna Maria Alexander
Reviews
Alicia Gaspar de Alba and Alma López, eds., Our Lady of Controversy: Alma López’s Irreverent Apparition. Austin: U of Texas P, 2011. In 2001, Alma López’s digital collage, Our Lady appeared in an exhibition at... Read More...
EISSN (2009-2377)