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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
      Articles, Issue 10 2020-21
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    • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

      Eva Isherwood-Wallace
    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer
    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill
    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North
    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue
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    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski
      Issue 11 2022, Reviews
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    • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South

      Nik Ribianszky
    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie
    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin
    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan
    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis
    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
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READ MORE:
  • Review: Milteer, Beyond Slavery’s Shadow: Free People of Color in the South
  • “Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

Author Dara Downey

Dara Downey

Dara Downey is a visiting lecturer in the School of English, Trinity College Dublin, and the Trinity Access Programme. She is editor of The Irish Gothic Journal (online). She is author of American Women's Ghost Stories in the Gilded Age (2014), and co-editor of Landscapes of Liminality: Between Space and Place (with Ian Kinane and Elizabeth Parker, 2016). Her research focuses on domesticity in American gothic, and she is currently working on a literary biography of Shirley Jackson, as well as a longer-term project on servant figures in American gothic.

From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic

Dara Downey
Articles, Issue 9 2020
In Georgia Wood Pangborn’s 1911 short story “Broken Glass,” the narrator, a fussy mother living somewhere in rural America, is reproached by a mysterious figure for having scolded her young Irish nursemaid. As ... Read More...

Review: Desirée Henderson, Grief and Genre in American Literature, 1790-1870

Dara Downey
Issue 3 2014, Reviews
“[…] the many genres of grief underscore the magnitude of the challenge of making death meaningful, as the unique and individual nature of loss runs up against the dominant conventions that shape memorial traditions and practices” (4).
EISSN (2009-2377)