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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
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    • "The Product of a Spoiled America": Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean
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    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power
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    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
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    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes

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      Ciarán Leinster

    • Review: Kloeckner, Knewitz, and Sielke, eds., Knowledge Landscapes North America

      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
    • Issue 9 2020
    • Issue 8 2018-19
    • Issue 7 2018
    • Issue 6 2017
    • Issue 5 2016
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  • Submissions
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READ MORE:
  • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.
  • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became
  • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

Author Daniel Picker

Daniel Picker

Daniel Picker holds a BA in American Studies and an MA in English and American Literature from Middlebury College, VT. His book reviews and articles have appeared in Harvard Review, The Sewanee Review, The Stanford Daily, The Oxonian Review, The Philadelphia Inquirer, and others.

Review: Laurence W. Mazzeno and Sue Norton, eds., European Perspectives on John Updike

Daniel Picker
Reviews
Laurence W. Mazzeno and Sue Norton, eds. European Perspectives on John Updike. Camden House, 2018. European Perspectives on John Updike presents twelve chapters arranged in four parts. These are preceded by ... Read More...
EISSN (2009-2377)