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  • Home
  • Issues
    • Issue 10 2020-21
    • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
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    • Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

      Alex McDonnell
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    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • “The Product of a Spoiled America”: Divorce as Collective Crisis in U.S. Popular Culture of the 1990s

      Olga Thierbach-McLean

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • On Becoming an Americanist

      Kevin Power

    • From Dangerous Outsiders to Beloved Innocents: Irish Servant Figures in American Gothic

      Dara Downey
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    • Review: Leopold Lippert, Performing America Abroad

      Ciarán Leinster
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      Natalia Kovalyova

    • Review: T. H. Breen, The Will of the People: The Revolutionary Birth of America

      Michael J. Griffin

    • The Populist Turn in American Politics: A Review-Essay of Kivisto’s The Trump Phenomenon

      Julie Sheridan

    • Review: Andy Connolly, Philip Roth and the American Liberal Tradition

      Dolores Resano

    • Review: Ernst, Matter-Siebel, and Schmidt, eds., Revisionist Approaches to American Realism and Naturalism

      Alan Gibbs

    • Review: Bernice M. Murphy, Key Concepts in Contemporary Popular Fiction

      Yves Laberge
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    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
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    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
    • Issue 10 2020-21
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    • Issue 6 2017
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READ MORE:
  • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk
  • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner
  • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man
  • Review: Leopold Lippert, Performing America Abroad

Author Christian O'Connell

Christian O'Connell

Christian O’Connell is a Senior Lecturer in American social, cultural and political history at the University of Gloucestershire, focusing on African American history from slavery to Black Power. His past reviews have appeared in, for example, the Journal of American Studies, and his book Blues, How Do You Do? was published by the University of Michigan Press in 2015.

Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity

Christian O'Connell
Reviews
Samuele F. S. Pardini. In the Name of the Mother: Italian Americans, African Americans and Modernity from Booker T. Washington to Bruce Springsteen. Dartmouth College Press, 2017. If there is one thing that we... Read More...
EISSN (2009-2377)