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  • Home
  • Issues
    • 2020s
      • Issue 11 2022
      • Issue 10 2020-21
      • Issue 9 2020
    • 2010s
      • Issue 8 2018-19
      • Issue 7 2018
      • Issue 6 2017
      • Issue 5 2016
      • Issue 4 2015
      • Issue 3 2014
      • Issue 2 2010
    • 2000s
      • Issue 1 2009
    • ARCHIVE
      • IJAS ONLINE 2009-
      • IJAS 1992-2004
  • Articles
    Random

    • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

      Richard Hargy
      Articles, Issue 11 2022
    Recent

    • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace

      Natalie Schriefer

    • “a settled place”: Reproductive Performance in the Liberties and The Liberties

      Lily Ní Dhomhnaill

    • ‘The Ethics of Quantum Colonialism’: Navigating American Racial Anxiety in N.K. Jemisin’s The City We Became

      Carolann North

    • “‘Normal People’ Indeed!”: Anne Tyler, Sally Rooney, and the Narrative of Youthful Quirk

      Cecilia Donohue

    • Depictions of Shame: White Identity and Cultural Blackness in Faulkner’s Absalom, Absalom! and Styron’s Confessions of Nat Turner

      Beatrice Melodia Festa

    • Satire, Symbolism, and the “Working Through” of Historical Ghosts in The Confidence-Man

      Alex McDonnell
  • Reviews
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    • Review: Wickham Clayton, ed, Style and Form in the Hollywood Slasher Film

      Noel O'Shea
      Issue 10 2020-21, Reviews
    Recent

    • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

      Laura Gillespie

    • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

      Henry Martin

    • Review: Austenfeld, ed., Robert Lowell in a New Century

      Gillian Groszewski

    • Review: Wills, Gamer Nation: Video Games and American Culture

      Eoin O'Callaghan

    • Review: Sawires-Masseli, Arab American Novels Post-9/11: Classical Storytelling Motifs against Outsidership

      Courtney Mullis

    • Review: Christian Schmidt, Postblack Aesthetics: The Freedom to be Black in Contemporary African American Fiction.

      Jan Benes
  • Interviews
    Random

    • The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

      Caroline Schroeter and Sarah McCreedy
      Interviews, Issue 9 2020
    Recent

    • From Mitchelstown to Michigan: Kevin Roche’s Formative Years

      Ellen Rowley
  • Contributors
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    • Issue 7 2018
    • Issue 6 2017
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    • Issue 4 2015
    • Issue 3 2014
  • About IJAS Online
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READ MORE:
  • Cold Reality: Revisions of War in John Knowles’ ‘Phineas’ and A Separate Peace
  • Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War
  • Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.
  • The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

Author Christian O'Connell

Christian O'Connell

Christian O’Connell is a Senior Lecturer in American social, cultural and political history at the University of Gloucestershire, focusing on African American history from slavery to Black Power. His past reviews have appeared in, for example, the Journal of American Studies, and his book Blues, How Do You Do? was published by the University of Michigan Press in 2015.

Review: Samuele F. S. Pardini, In the Name of the Mother: Italian Americans, African Americans and Modernity

Christian O'Connell
Issue 8 2018-19, Reviews
Samuele F. S. Pardini. In the Name of the Mother: Italian Americans, African Americans and Modernity from Booker T. Washington to Bruce Springsteen. Dartmouth College Press, 2017. If there is one thing that we... Read More...
EISSN (2009-2377)