Author Caroline Schroeter and Sarah McCreedy

Caroline Schroeter and Sarah McCreedy

Dr Caroline Schroeter is an Early Career Researcher and project lead of #DouglassWeek. In 2019, she was awarded a PhD summa cum laude in American Studies and Film and Screen Media Studies at University College Cork. Since then, she has been working as a University Language teacher at University College Cork. In the last 15 years, she has dedicated her research and teaching to engaging students with the cinematic representation of slavery, racism and stereotyping, and making North American slavery on page and on screen accessible, visible and understandable for students. Her work also explores the foundations of modern-day, systemic racism, following the political, cultural and social developments and civil rights movements, and she has been involved in a variety of diversity and inclusion efforts in Ireland and abroad, such as the Free The Slaves Initiative or Students Ending Slavery. She has published widely about representation, cinematic slave narratives, and racism and stereotyping on screen. One of her recent publications appears in Southern History on Screen: Race and Rights, 1976-2016. Currently, she is working on a book project titled Reform, Representation and Rebellion: Screening Frederick Douglass. Sarah McCreedy is a PhD scholar at the School of English, University College Cork. Her research on the resurgence of American literary naturalism in contemporary American fiction has previously been funded by the Government of Ireland postgraduate scholarship. She is currently a postgraduate representative for the Irish Association for American Studies, a co-organiser of #DouglassWeek, and a co-host of the upcoming American studies podcast, The Americanista.

The IAAS’s Americanista: An Interview with Catherine Gander (IAAS Chair)

Caroline Schroeter and Sarah McCreedy

Interviews, Issue 9 2020

Editor’s note: Catherine Gander is the Chair of the all-island Irish Association for American Studies and Associate Professor of American Literature at Maynooth University. She is the author of the award-winnin... Read More...

Satire, Symbolism, and the "Working Through" of Historical Ghosts in The Confidence-Man

Respectability Politics and the Culture of Dissemblance in Stanley Kramer’s Guess Who’s Coming to Dinner and Jack Hill’s Foxy Brown

“It was only the darkened house that could contain her”: Containing Forms in The Scarlet Letter

“Seeming Strangeness”: Mina Loy’s Poetics of Disruption and Julia Kristeva’s Semiotic/Symbolic Model

Cold Reality: Revisions of War in John Knowles’ “Phineas” and A Separate Peace

The State Department’s Northern Ireland Special Envoys and the redemption of the Good Friday Agreement

“a settled place”: Reproductive Performance in the Liberties and The Liberties

Review: Katherine Manthorne, Restless Enterprise: The Art and Life of Eliza Pratt Greatorex.

Review: Lahr, Arthur Miller: American Witness

Review: Robert Collins, Noraid and The Northern Ireland Troubles, 1970-1994

Review: Brian Yothers, Melville’s Mirrors: Literary Criticism and America’s Most Elusive Author

Review: Charles L. Chavis Jr., The Silent Shore: The Lynching of Matthew Williams and the Politics of Racism in the Free State

Review: Warren Eugene Milteer, Jr. Beyond Slavery’s Shadow: Free People of Color in the South

Review: Baumgartner, South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War

The IAAS's Americanista: An Interview with Catherine Gander (IAAS Chair)

From Mitchelstown to Michigan: Kevin Roche’s Formative Years

The IAAS’s Americanista: An Interview with Catherine Gander (IAAS Chair)